Matthias Bitzer
Matthias Bitzer was born in Stuttgart, Germany ( 1975), and he lives and works in Berlin, Germany.
He graduated from Staatliche Akademie der Bildenden Künste Karlsruhe, Germany in 2004.
His artistic practice combines drawing, sculpture and painting creating experience spaces with strong references to history and intellectuals and a deep reflection on their identity, in which the viewer can immerse himself. The development of his work shows itself in the increasing complexity of the installations, maintaining their focus on the construction of memory and the reconstruction of reality. His research involves literary personalities, writers and their characters who have frequently slipped into outsider positions. Fascinated by the relation between the invisible and the real, Bitzer layers symbolic fragments and fractured forms on top of one another as citations. In a new inspection of classical modern art from today’s perspective, the artist combines portraits and geometric constructions in his drawings, paintings and sculptures. Through the analysis of this multiplicity of figures, Matthias Bitzer’s work investigates different looks on reality and through his more and more complex abstract patterns he gives the viewer a visual translation to this fragmentary dimension, to these different points of view, to possible gazes. Through paintings, sculptures and mural drawings, all strictly connected to each other, he thinks the exhibition space as an autonomous body, where you can “consider the works as a kind of symbolist translation or a decoding of reality that tries to make visible something that was invisible before” as the artist says.
His works are part of Public collections at LACMA, Los Angeles, USA, MARTa Herford, Herford, Germany, Städtische Galerie Karlsruhe, Karlsruhe, Germany, Geraer Sammlung, Gera, Germany, CCA Andratx, Mallorca, Spain, and Rosenblum Collection & Friends, Paris, France.
Matthias Bitzer was born in Stuttgart, Germany ( 1975), and he lives and works in Berlin, Germany.
He graduated from Staatliche Akademie der Bildenden Künste Karlsruhe, Germany in 2004.
His artistic practice combines drawing, sculpture and painting creating experience spaces with strong references to history and intellectuals and a deep reflection on their identity, in which the viewer can immerse himself. The development of his work shows itself in the increasing complexity of the installations, maintaining their focus on the construction of memory and the reconstruction of reality. His research involves literary personalities, writers and their characters who have frequently slipped into outsider positions. Fascinated by the relation between the invisible and the real, Bitzer layers symbolic fragments and fractured forms on top of one another as citations. In a new inspection of classical modern art from today’s perspective, the artist combines portraits and geometric constructions in his drawings, paintings and sculptures. Through the analysis of this multiplicity of figures, Matthias Bitzer’s work investigates different looks on reality and through his more and more complex abstract patterns he gives the viewer a visual translation to this fragmentary dimension, to these different points of view, to possible gazes. Through paintings, sculptures and mural drawings, all strictly connected to each other, he thinks the exhibition space as an autonomous body, where you can “consider the works as a kind of symbolist translation or a decoding of reality that tries to make visible something that was invisible before” as the artist says.
His works are part of Public collections at LACMA, Los Angeles, USA, MARTa Herford, Herford, Germany, Städtische Galerie Karlsruhe, Karlsruhe, Germany, Geraer Sammlung, Gera, Germany, CCA Andratx, Mallorca, Spain, and Rosenblum Collection & Friends, Paris, France.
- The tender attender, 2025Acrylic on canvas
165×145 cm - The absorbing mirror, 2024concrete, neon
123×15×15 cm - Teich ohne Echo, 2024Acrylic on canvas, wooden painted panel, artist frame
163x143x5 cm (painting); 193x143x5 cm overall dimensions - Tooth of a comb, 20241 box with 13 frames
46x34x34 cm (box); 42x32x2 cm (each frame) - Inspiration Station, 2023Wall drawing, chair, painted box
Variable dimensions - Reflection repeating reflection, 2024Pencil on paper, laquer on glass, mirror frame
42x32x34 cm - Hope, 2023Pencil on paper, artist frame
70×50 cm
72x52x4 cm (framed)
Ph. Andrea Rossetti - n den Höfen, die Aura (IN THE BACKSTREET, THE AURA), 2021ink, pins, mirror, balls, acrylic on canvas
200×160×4 cm
55x46 cm - Dilemma of relativity, 2018mixed media
286×150×150 cm - Dilemma of relativity, 2020, detailmixed media
286×150×150 cm - Nova Povera, 2020, view 1acrylic on canvas, mirror, wood
117,5×112×5 cm - Nova Povera, 2020, view 2acrylic on canvas, mirror, wood
117,5×112×5 cm - Nova Povera, 2020, detailacrylic on canvas, mirror, wood
117,5×112×5 cm - All that you call world is the shadow of that substance which you are, 2020Neon, pvc tubes with adhesive foil
150 cm - Papillon, 2019, view 2acrylic on canvas, mirror
135×115×5 cm - A little image-shrine for the roadside, 2019, view 1mixed media
150×100×34 cm - A little image-shrine for the roadside, 2019, view 2mixed media
150×100×34 cm - Untitled, 2018, view 1Metal, glass, wood, paint
120×168×50,5 cm - Untitled, 2018, view 2Metal, glass, wood, paint
120×168×50,5 cm - Untitled, 2018Metal, concrete, paint
195×65×60 cm - Bend: Spirit, 2016Metal, wood
250×112×90 cm - Bend: Spirit, 2016, detailMetal, wood
250×112×90 cm - Archive of doubt, 2015wood, paint, glass
20,5×180×15 cm - Nymph/Noir/Nothingness, 2013mixed media
200 cm diameter - The Dimensionist’s Wife, 2008acrylic on canvas
160×130 cm