James Bantone
James Bantone was born in Geneva, Switzerland (1992) and he currently lives and works between Geneva and Paris.
The artist attended the ECAL-École cantonale d’art de Lausanne in 2017 and graduated with a Bachelor of Art & Media – Video at the Zurich University of the Arts (ZHdK) in 2019 and completed the Work.Master – Contemporary Artistic Practices at the Geneva University of Art and Design (HEAD) in 2021.
James Bantone’s practice moves across photography, sculpture, painting, and video, treating the image as a surface where desire, classification, and projection accumulate. Working with found and self-produced imagery, he is less interested in representation as likeness than in the conditions through which a subject becomes readable: how a surface is charged, misrecognized, circulated, and made available to fantasy, value, and consumption.
Through transfer, fragmentation, corrosion, and overpainting, Bantone interrupts the apparent coherence of the image. Photographs are displaced across supports such as steel and aluminium, strained through processes of reproduction, and made to behave less like windows than skins: handled, marked, unstable, and exposed. In recent works, Bantone turns this logic onto himself. His own body enters the work not as confession, but as material, a surface through which agency, objecthood, exposure, and control become difficult to separate.
His work begins from the condition of being looked at before one has fully appeared.
He has had solo exhibitions at Francesca Minini, Milan (2026), Tunnel Tunnel, Lausanne (2026), Spazio Maiocchi, Milan (2024), Swiss Institute, New York (2024), Karma International, Zurich (2023), Coalmine, Winterthur (2020), and participated in group exhibitions at Kunstraum Niederösterreich, Vienna (2024), Kunsthalle Zurich (2023), Simian, Copenhagen (2023), Klemm’s Gallery, Berlin (2023), Espace Niemeyer, Paris (2023), Salts, Basel (2023), Museum Morsbroich, Leverkusen (2023), Centre d’Art Contemporain de Genève (2022) Cordova, Barcelona (2021), Kunsthalle Fribourg (2020), and UV Estudios, Buenos Aires (2019).
James Bantone was born in Geneva, Switzerland (1992) and he currently lives and works between Geneva and Paris.
The artist attended the ECAL-École cantonale d’art de Lausanne in 2017 and graduated with a Bachelor of Art & Media – Video at the Zurich University of the Arts (ZHdK) in 2019 and completed the Work.Master – Contemporary Artistic Practices at the Geneva University of Art and Design (HEAD) in 2021.
James Bantone’s practice moves across photography, sculpture, painting, and video, treating the image as a surface where desire, classification, and projection accumulate. Working with found and self-produced imagery, he is less interested in representation as likeness than in the conditions through which a subject becomes readable: how a surface is charged, misrecognized, circulated, and made available to fantasy, value, and consumption.
Through transfer, fragmentation, corrosion, and overpainting, Bantone interrupts the apparent coherence of the image. Photographs are displaced across supports such as steel and aluminium, strained through processes of reproduction, and made to behave less like windows than skins: handled, marked, unstable, and exposed. In recent works, Bantone turns this logic onto himself. His own body enters the work not as confession, but as material, a surface through which agency, objecthood, exposure, and control become difficult to separate.
His work begins from the condition of being looked at before one has fully appeared.
He has had solo exhibitions at Francesca Minini, Milan (2026), Tunnel Tunnel, Lausanne (2026), Spazio Maiocchi, Milan (2024), Swiss Institute, New York (2024), Karma International, Zurich (2023), Coalmine, Winterthur (2020), and participated in group exhibitions at Kunstraum Niederösterreich, Vienna (2024), Kunsthalle Zurich (2023), Simian, Copenhagen (2023), Klemm’s Gallery, Berlin (2023), Espace Niemeyer, Paris (2023), Salts, Basel (2023), Museum Morsbroich, Leverkusen (2023), Centre d’Art Contemporain de Genève (2022) Cordova, Barcelona (2021), Kunsthalle Fribourg (2020), and UV Estudios, Buenos Aires (2019).
For Your Consideration, 2026Acrylic photo transfer and paint on steel
400×200×200 cm
By Comparison, 2026Acrylic photo transfer and oil on steel, triptych
200×307 cm
Act Natural, 2026Acrylic photo transfer and oil on steel
179,5×125,5 cm
Just Between Us, 2026Acrylic photo transfer and oil on steel
179×125 cm
The Real Thing, 2026Acrylic photo transfer and paint on mirror
200×100 cm
Almost perfect, 2026Acrylic photo transfer and paint on steel
125,5×99,5×2 cm
Take It In, 2026Mixed media on mannequin
130×90×70 cm
Interval (Collapse), 2026Acrylic photo transfer and oil on aluminium, mounted on steel
59×49×2 cm
Index, 2026Acrylic photo transfer and oil on aluminium, mounted on steel, diptych
59×101×2 cm
Pivot, 2026Acrylic photo transfer and oil on aluminium, mounted on steel
59×49×2 cm
Untitled (sexyy), 2024Acrylic transfer on steel
125×85 cm
Untitled (see me?), 2024Acrylic transfer on steel
250×120×10 cm








































































