15/11 - 14/01, 2023
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Simon Dybbroe Møller
Boulevard of Crime
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Boulevard of Crime, 2022Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti
Francesca Minini is pleased to present Simon Dybbroe Møller solo exhibition Boulevard of Crime with a text by Contemporary Art Writing Daily.
Boulevard of Crime
It can hardly be coincidental that the first photograph of human beings depicts a power relationship; a person kneeling in front of another; one man having his leather shoes polished by another man in an otherwise deserted city: proto-photographic shutter technology favored the transaction. Simon Dybbroe Møller instrumentalizes this 1838 daguerreotype of a Parisian street, to speak about the interdependence of photographic images and control, the housing crisis, identity and capital. The appearance of gas lamps on the Grands Boulevards of Paris earned it the nickname The City of Light. This show offers a different sort of clarity. In the Boulevard of Crime scaled down cast iron streetlamps light up a series of photographs that play with the very conventions of modern image making.
Francesca Minini is pleased to present Simon Dybbroe Møller solo exhibition Boulevard of Crime with a text by Contemporary Art Writing Daily.
Boulevard of Crime
It can hardly be coincidental that the first photograph of human beings depicts a power relationship; a person kneeling in front of another; one man having his leather shoes polished by another man in an otherwise deserted city: proto-photographic shutter technology favored the transaction. Simon Dybbroe Møller instrumentalizes this 1838 daguerreotype of a Parisian street, to speak about the interdependence of photographic images and control, the housing crisis, identity and capital. The appearance of gas lamps on the Grands Boulevards of Paris earned it the nickname The City of Light. This show offers a different sort of clarity. In the Boulevard of Crime scaled down cast iron streetlamps light up a series of photographs that play with the very conventions of modern image making.
Baby, 2022C-Print, frame
142×97×4 cm
Edition of 3
Architecture #5, 2022Gelatin silver print, frame
70×55×5 cm
Edition of 3
Architecture #4, 2022Gelatin Silver print, frame
70×55×5 cm
Edition of 3
Boulevard of Crime I, 2022lamp, shoes, tiles, shoe polish
186×119×89 cm
Boulevard of Crime I, 2022, detail 1lamp, shoes, tiles, shoe polish
186×119×89 cm
Boulevard of Crime I, 2022, detail 2lamp, shoes, tiles, shoe polish
186×119×89 cm
Tulips, 2022C-Print, frame
142×97×4 cm
Edition of 3
Sisters, 2022C-Print, frame
142×97×4 cm
Edition of 3
Boulevard of Crime II, 2022lamp, shoes, tiles, shoe polish
186×119×89 cm
Boulevard of Crime II, 2022, detail 1lamp, shoes, tiles, shoe polish
186×119×89 cm
Boulevard of Crime II, 2022, detail 2lamp, shoes, tiles, shoe polish
186×119×89 cm
Baby II, 2022C-Print, frame
142×97×4 cm
Edition of 3
Architecture #1, 2019Gelatin Silver print, frame
70×55×5 cm
Edition of 3
Boulevard of Crime III, 2022lamp, shoes, tiles, shoe polish
186×119×89 cm
Boulevard of Crime III, 2022, detail 1lamp, shoes, tiles, shoe polish
186×119×89 cm
Boulevard of Crime III, 2022, detail 2lamp, shoes, tiles, shoe polish
186×119×89 cm
Architecture #6, 2022Gelatin Silver print, frame
70×55×5 cm
Edition of 3
Architecture #2, 2019Gelatin Silver print, frame
70×55×5 cm
Edition of 3
Architecture #3, 2019Gelatin Silver print, frame
70×55×5 cm
Edition of 3
