Simon Dybbroe Møller
Simon Dybbroe Møller’s practice tests the relationship between essential sensate qualities and the evolution of communication; how it feels to be bodies tumbling or stumbling through this world; how we change media and how media changes us. His work often concerns the materiality and physicality of things against the backdrop of ubiquitous representations in the media.
He has had solo exhibitions at Contemporary Art Centre in Vilnius, Fondazione Giuliani in Rome, Kunsthalle Sao Paulo, 21er Haus in Vienna, Kunstverein Hannover, Frankfurter Kunstverein, among others. His work was included in the 5th Moscow Biennial, the 2nd Turin Triennial, and the 9th Berlin Biennial and in group exhibitions at MOCA Detroit; KW Institute for Contemporary Art, Berlin; Palais de Tokyo, Paris; SMK National Gallery, Copenhagen; Centre Pompidou, Paris; CCA Wattis in San Francisco, Hamburger Bahnhof, Berlin, Ludwig Museum Köln, MMK Frankfurt am Main and the Museum of Contemporary Art Tokyo. Dybbroe Møller has been an invited lecturer and guest teacher at Harvard University, UDK Berlin, Kunstakademie München and École Nationale des Beaux-Arts de Lyon.
Simon Dybbroe Møller (1976) was born in Aarhus.
He studied at the Kunstakademie Düsseldorf and at Städelschule in Frankfurt am Main.
Simon Dybbroe Møller’s practice tests the relationship between essential sensate qualities and the evolution of communication; how it feels to be bodies tumbling or stumbling through this world; how we change media and how media changes us. His work often concerns the materiality and physicality of things against the backdrop of ubiquitous representations in the media.
He has had solo exhibitions at Contemporary Art Centre in Vilnius, Fondazione Giuliani in Rome, Kunsthalle Sao Paulo, 21er Haus in Vienna, Kunstverein Hannover, Frankfurter Kunstverein, among others. His work was included in the 5th Moscow Biennial, the 2nd Turin Triennial, and the 9th Berlin Biennial and in group exhibitions at MOCA Detroit; KW Institute for Contemporary Art, Berlin; Palais de Tokyo, Paris; SMK National Gallery, Copenhagen; Centre Pompidou, Paris; CCA Wattis in San Francisco, Hamburger Bahnhof, Berlin, Ludwig Museum Köln, MMK Frankfurt am Main and the Museum of Contemporary Art Tokyo. Dybbroe Møller has been an invited lecturer and guest teacher at Harvard University, UDK Berlin, Kunstakademie München and École Nationale des Beaux-Arts de Lyon.
Simon Dybbroe Møller (1976) was born in Aarhus.
He studied at the Kunstakademie Düsseldorf and at Städelschule in Frankfurt am Main.
- Geology #3, 2022fine art print
61,2×52×4 cm
Edition 1/3 - Architecture #6, 2022
Gelatin Silver print, frame
70×55×5 cm
Edition 1/3 - Homo Slomo, 2011–18mechanical mannequin, acrylics, hair, plaster, marker
210×60×70 cm - Video, 2020Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Variable dimentions - Shame Shield (modern ceramics), 2015all ceramic glaze on Philippe Starck-designed Duravit urinal
70×40 cm - Shame Shield (modern ceramics), 2015all ceramic glaze on Philippe Starck-designed Duravit urinal
70×40 cm - Shame Shield (modern ceramics), 2015all ceramic glaze on Philippe Starck-designed Duravit urinal
70×40 cm - Exposure, 2015red bricks, mortar, photographic portrait of Alex Mackin Dolan, frame, refurbished vintage Basso road bike.
212×297,5×51 cm - Ad #2, 2015Acrylics, vinyl, Urinal Fly stickers, Frame
126×86 cm - Ad #3, 2015C-Prints, Acrylics, vinyl, Frame,
126×86 cm - The Embrace, 2015C-print
52×42 cm
Edition 3/3 - Diamond mouth and the stuff of the other side, 2013Renault dealership logo, t-shirt, motor oil, red wine, sigarette ashes, sweat
110×130×25 cm - Negative Plate (Rack of lamb with rosemary and garlic), 2013Porcelain plate, polyurethane resin, polyurethane varnish, silicone, dried herbs and pepper
27.6×27.6×3.1 cm - Negative Plate (Steak Tartare), 2013Porcelain plate, polyurethane resin, polyurethane varnish, silicone, dried herbs/ pepper
27.6×27.6×3.1 cm - Animate V, 20125:54 min HD video
dimensions variable - The Man, 2011Cyberquin, clothes
- The Catch, 2012acrylic and plastic net on canvas
180×120 cm - The Catch, 2011Acrylic, plasticine on canvas
120×80 cm - The Catch, 2012acrylic and plastic net on canvas
180×120 cm - Beer & piss, 2012c-print
51×70 cm
Edition 2/3 - Beer & piss, 2012c-print
51×70 cm
Edition 2/3 - And Now To Begin As If To Begin, 20104 c-prints, frames, wood, metal, glass, wire
91×71×8 cm - Things Thinking Things, 2011C-prints,frames,wood,metal,glass,wire
124,5×90×10 cm - O, 2011inkjet print, Tecco ultraglass film
118,6×84 cm - Things And The Thoughts That Think Them (Man), 2011Perspex, fan, ladder, umbrella, trombone, helmet
307×170×106 cm - Things Thinking Things , 2011C-prints,frames,wood,metal,glass,wire
121×87×8 cm - Untitled (detail), 2009Digital print
40,5×27,5 cm - Courtain for Louisiana (No More Moore), 2008Silkscreen, polyester
180×1800 cm - Mass, Weight and Volume (Fallen into place), 2008Steel
420×900×570 cm
Edition 3/3