Sheila Hicks
Sheila Hicks was born in Hastings, Nebraska and received her BFA and MFA degrees from Yale University. She received a Fulbright scholarship in 1957-58 to paint in Chile. While in South America she developed her interest in working with fibers. After founding workshops in Mexico, Chile, and South Africa, and working in Morocco and India, she now divides her time between her Paris studio and New York.
Hicks is a celebrated artist, known for her innovative use of weaving and textiles and her sculptural installations made of yarn. Her work ranges from small wall hangings, to enormous site-specific installations, and critics frequently locate her art at the intersection of decorative objects and fine art—though the artist herself in uninterested in the distinction.
Hicks has exhibited internationally in both solo and group exhibitions. She was included in the 2017 Venice Biennal, 2014 Whitney Biennial in New York, the 2012 São Paulo Biennial in Brazil. Recent solo presentations include “Lignes de Vie” at the Centre Pompidou in Paris in 2018, Free Threads 1954-2017 Museo Amparo, Mexico,”Pêcher dans La Rivière” at the Alison Jacques Gallery, London (2013); A major retrospective Sheila Hicks: 50 Years debuted at the Addison Gallery of American Art and traveled to the Institute of Contemporary Art, Philadelphia and the Mint Museum, Charlotte, NC.
Hicks‘ work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art, New York City; Museum of Fine Arts Boston; The Art Institute of Chicago; the Victoria & Albert Museum, London; Stedelijk Museum, Amsterdam; Centre Pompidou, Paris; the Museum of Modern Art, Tokyo; Museo de Bellas Artes, Santiago; solo exhibitions at the Seoul Art Center, Korea; Israel Museum, Jerusalem.
Sheila Hicks was born in Hastings, Nebraska and received her BFA and MFA degrees from Yale University. She received a Fulbright scholarship in 1957-58 to paint in Chile. While in South America she developed her interest in working with fibers. After founding workshops in Mexico, Chile, and South Africa, and working in Morocco and India, she now divides her time between her Paris studio and New York.
Hicks is a celebrated artist, known for her innovative use of weaving and textiles and her sculptural installations made of yarn. Her work ranges from small wall hangings, to enormous site-specific installations, and critics frequently locate her art at the intersection of decorative objects and fine art—though the artist herself in uninterested in the distinction.
Hicks has exhibited internationally in both solo and group exhibitions. She was included in the 2017 Venice Biennal, 2014 Whitney Biennial in New York, the 2012 São Paulo Biennial in Brazil. Recent solo presentations include “Lignes de Vie” at the Centre Pompidou in Paris in 2018, Free Threads 1954-2017 Museo Amparo, Mexico,”Pêcher dans La Rivière” at the Alison Jacques Gallery, London (2013); A major retrospective Sheila Hicks: 50 Years debuted at the Addison Gallery of American Art and traveled to the Institute of Contemporary Art, Philadelphia and the Mint Museum, Charlotte, NC.
Hicks‘ work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art, New York City; Museum of Fine Arts Boston; The Art Institute of Chicago; the Victoria & Albert Museum, London; Stedelijk Museum, Amsterdam; Centre Pompidou, Paris; the Museum of Modern Art, Tokyo; Museo de Bellas Artes, Santiago; solo exhibitions at the Seoul Art Center, Korea; Israel Museum, Jerusalem.
- Untitled, 2021Synthetic fiber, natural threads, textile
280×230 cm
40 elements - Untitled, 2021Linen, wood and aluminium
120×300×4 cm - Untitled, 2021, detailLinen, wood and aluminium
120×300×4 cm - Amarillo intense contained by Blue with determination, 2021linen, wood and aluminium
120×200×4 cm - Cosmic Arrivals, 2021Exhibition view at Francesca Minini, Milan
Ph. Andrea Rossetti - Polar Comet, 2020Linen, wool, natural and synthetic fibers
110×110×37 cm - Untitled, 2020Natural and synthetic fibers
60×54×19 cm - Untitled, 2020Natural and synthetic fibers
77×77×24 cm - Shiraz, 2020Natural and synthetic fibers
53×53×14 cm - Welcome Wildfire, 2022synthetic fiber, linen, cotton
51×51×6 cm - Welcome Wildfire, 2022, detailsynthetic fiber, linen, cotton
51×51×6 cm - Hasty Leisure, 2022synthetic fiber, linen, cotton
40×40×11 cm - Hasty Leisure, 2022, detailsynthetic fiber, linen, cotton
40×40×11 cm - Untitled, 2021Cotton, corn stalks
100×110 cm - Untitled, 2021, detailCotton, corn stalks
100×110 cm - Galatée, 2020Natural and synthetic fiber
82×82 cm - Convergence ardoise, 1996linen
90×90 cm - Dialogo y Divercencia, 1970linen, embroidered panel
81×65 cm - Faja VII (Agua Bendeta), 1960wool, cotton
80×17 cm - Faja I (Rojo Blanco Naranja), 1958wool, cotton
75×13 cm - Faja III, 1958wool, cotton
75×16,5 cm - Faja V, 1960wool, cotton
74×13,5 cm - Faja VI (Taxco el Viejo, Angelina), 1960wool, cotton
79×16,5 cm - Khusrau, 2021Natural and synthetic fibers, metal and wooden pedestal
40×40×13 cm
hight with pedestal 54 cm