Runo Lagomarsino
Runo Lagomarsino was born in Lund, Sweden (1977), and he lives and works in Malmö, Sweden.
Language, geography, historiography are themes that Lagomarsino revisits in his artistic practice, using materials that often evoke memories or a relationship to something, only to ask us to reflect on the conditions enabling these connections.
Lagomarsino’s work points toward the gaps and cracks in our explanation models highlighting language’s precarious foundation. With precise and poetic displacements, he constructs frictions, fractures of blind spots from where to tell other stories. Keenly aware of the conceptual implications of a range of materials and medium, Lagomarsino moves seamlessly between collage, drawing, installation, performance, and video.
Recent solo exhibitions include: Silence Answers All, Marabouparken Konsthall , Stockholm (2024), We are here because you were there, Base/Progetti per l’arte, Florence (2023), The Square Between the Walls, Lunds Konsthall (2021), The Faculty of Seeing, Moderna Museet, Stockholm (2019), We are each other’s air, Francesca Minini, Milan (2019), EntreMundos, Dallas Museum of Art, Dallas (2018), La Neblina, Galeria Avenida da India, Lisbon (2018).
Selected group exhibitions: The TV trampoline: from children’s television to contemporary art and literature, Bildmuseet, Umeå (2022), The four cardinal points are three: the south and the north, CRAC Alsace, Altkirch (2022), Ninguém teria acreditado, Pina Estação, São Paulo (2021), Deep Sounding-Hystory as Multiple Narratives, daadgalerie Berlin (2019), BRAZIL. Knife in the Flesh, PAC, Milan (2018), A Universal History of Infamy, LACMA, Los Angeles, (2017), La Terra Inquieta, Fondazione Trussardi, Milano (2017), Really Useful Knowledge, Museo Nacional Centro de Arte Reina Sofia, Madrid (2014) and Under the Same Sun, Guggenheim Museum, New York (2014).
He also partecipated in the Guangzhou Triennial and the Gwangju Biennial (both 2008); the Venice Biennale (2011 and 2015); the Istanbul Biennial (2011); the São Paulo Art Biennial (2012); Prospect New Orleans (2017); the Gothenburg Biennial (2015 and 2021) and the Ural Biennial (2021) and he Gwangju Biennial (2024). In 2019 he was awarded the Friends of Modern Museet Sculpture Prize and was DAAD artist in residence in Berlin.
Runo Lagomarsino was born in Lund, Sweden (1977), and he lives and works in Malmö, Sweden.
Language, geography, historiography are themes that Lagomarsino revisits in his artistic practice, using materials that often evoke memories or a relationship to something, only to ask us to reflect on the conditions enabling these connections.
Lagomarsino’s work points toward the gaps and cracks in our explanation models highlighting language’s precarious foundation. With precise and poetic displacements, he constructs frictions, fractures of blind spots from where to tell other stories. Keenly aware of the conceptual implications of a range of materials and medium, Lagomarsino moves seamlessly between collage, drawing, installation, performance, and video.
Recent solo exhibitions include: Silence Answers All, Marabouparken Konsthall , Stockholm (2024), We are here because you were there, Base/Progetti per l’arte, Florence (2023), The Square Between the Walls, Lunds Konsthall (2021), The Faculty of Seeing, Moderna Museet, Stockholm (2019), We are each other’s air, Francesca Minini, Milan (2019), EntreMundos, Dallas Museum of Art, Dallas (2018), La Neblina, Galeria Avenida da India, Lisbon (2018).
Selected group exhibitions: The TV trampoline: from children’s television to contemporary art and literature, Bildmuseet, Umeå (2022), The four cardinal points are three: the south and the north, CRAC Alsace, Altkirch (2022), Ninguém teria acreditado, Pina Estação, São Paulo (2021), Deep Sounding-Hystory as Multiple Narratives, daadgalerie Berlin (2019), BRAZIL. Knife in the Flesh, PAC, Milan (2018), A Universal History of Infamy, LACMA, Los Angeles, (2017), La Terra Inquieta, Fondazione Trussardi, Milano (2017), Really Useful Knowledge, Museo Nacional Centro de Arte Reina Sofia, Madrid (2014) and Under the Same Sun, Guggenheim Museum, New York (2014).
He also partecipated in the Guangzhou Triennial and the Gwangju Biennial (both 2008); the Venice Biennale (2011 and 2015); the Istanbul Biennial (2011); the São Paulo Art Biennial (2012); Prospect New Orleans (2017); the Gothenburg Biennial (2015 and 2021) and the Ural Biennial (2021) and he Gwangju Biennial (2024). In 2019 he was awarded the Friends of Modern Museet Sculpture Prize and was DAAD artist in residence in Berlin.
- If you open your eyes wide, you can see the shadow of the Louvre, 2024sunprint on b/w photographic print
80×50 cm - If you open your eyes wide, you can see the shadow of the Louvre, 2024sunprint on b/w photographic print
50×40 cm - The Age of Exile, 2023metal and bird spikes
180×900×30 cm
Edition of 3 - If you open your eyes wide, you can see the shadow of the Louvre, 2023sunprint on paper
102x72x3 cm frame - No Remi, 2023chess game, melted metal, marble plinth
67,5×60×60 cm - We are here because you were there, 2019Found photo and paper
43×29 cm - El hambre no es subversivo, 202022 burned parchment paper framed
38×33 cm
each - Fabric of of Giuseppe Pellizza da Volpedo The Fourth Estate (1902) and a photo taken by Jose Giribas of a demonstration in Santiago de Chile, 2021Printed textile 293×535 cm,
photo 104,05x 155,26 cm - AmericAmnesia, 2017neon sign
26,5×315 cm
Edition of 3 - We, 2017nails, steel
200×286,5×4,5 cm
Edition of 3 - The Infernal Circles, 2019125 One Real coins, metal
67×65×2,6 cm
Edition of 3 - Air d’exil (we smoke for the dead, we store for the dead, but they are not dead), 201920 hand blown glass globes containing smoke from Argentinian Jockey Club 1976
105×105×22,5 cm - We live on the ruins of previous futures , 2015-2019burned light bulbs collected in the artist's apartments, glass jars
variable dimensions - Jockey Club, 2019smoked packet of cigarettes
17×23×20 cm - Deportation Regime, 2015Enamel
15×70 cm
Edition of 3 - West Is Everywhere you Look, 20169 maps, motors, cables and wires
Variable dimensions - All is not well, 2012ink on paper
42×59 cm - Untitled, 2012graphite and ink on paper
50×65 cm - Europe, 2012graphite and ink on paper
50×65 cm - America I use your name in vain, 201916 mm film transferred to HD with sound, 3,12 min, 125 coins
Edition of 3 - A Cloud of Smoke, 2021Metal, candle and the day‘s newspaper
Variable dimensions
Edition of 3 + AP - Yo tambien soy humo (I am also smoke), 2020video 16 mm transferred to HD with sound, 13,16 min
Edition of 3 + AP - One flew over the cuckoos nest, 2019Bird spike and postcards
Variable dimensions
Edition of 3 - Europa point, 2019HD video, 4'40''
Edition of 3 + AP - When Gold Was a King, 2018postcard and gold silkscreen on glass
140×110 cm - La Neblina, 2018silkscreen and postcard
Variable size
each print 33 x 50 cm
postcards 9 x 14 cm - We Must fall in Love, 2018Stones, letraset and wooden box
13,7×22,2×5 cm - Untitled, 2018collage on paper
34×43 cm
framed - Untitled, 2018collage on paper
42,5×52,5 cm
framed - Untitled, 2017collage on paper
45×34 cm - Untitled, 2017collage on paper
45×34 cm - Untitled, 2017collage on paper
45×34 cm - Untitled, 2017collage on paper
45×34 cm - Untitled, 2017collage on paper
45×34 cm - The teacher, 2017Inkjet on plywood
140×105×1,5 cm
Edition of 3 - We suffer from a desease that only gold can cure, 2017laser print on wood
Site specific
Edition of 5 - Brenner Mary Go Round, 2017Hd video, sound, 31,34 min
Edition of 3 - Entre la playa y el cielo Between the shore and the sky, 2016wall painting and ink stamp