Francesco Simeti
Francesco Simeti was born in Palermo, Italy (1968), and he lives and works in New York, United States.
Francesco Simeti is an artist whose practice explores the intersection between beauty, power, and social critique. Best known for his immersive installations and site-specific works, Simeti often employs decorative motifs—such as wallpapers, tapestries, and ornamental patterns—as tools to question historical narratives and expose the darker realities hidden beneath aesthetic surfaces. Drawing from archival materials, mass media imagery, and natural landscapes, his work confronts themes of environmental degradation, political conflict, and collective memory. By juxtaposing the seductive and the unsettling, Through a unique blend of craft, design, and activism, his research not only reclaims traditional forms of decoration but also transforms them into powerful instruments of contemporary reflection.
Public Art is a fundamental aspect of his practice, he has worked with Percent for Art and Public Art for Public Schools in NYC, the Multnomah county in Oregon and has created permanent additions to subway stations in Brooklyn and Chicago.
He has had solo exhibitions at XNL, Piacenza (2022); Assembly Room, New York, (2019); Open Source Gallery, New York (2017); Galleria d’Arte Moderna, Palermo (2012); and Artists Space, New York (2009). His work has been included in group exhibitions at Fondazione Luigi Rovati, Milan (2022); Museo Civico di Castelbuono, Palermo (2019); ICA Singapore (2017); Palazzo Reale, Milan (2016); and Castello di Rivoli Museum of Contemporary Art, Turin (2014). He has also exhibited works at the Triennale di Milano (2014 and 2013).
His work is part of private and public collections such as The Cooper Hewitt, National Design Museum, New York; The Philadelphia Museum, Philadelphia; The Victoria and Albert Museum, London; Civiche Raccolte Musei di Milano, Milan; and Palazzo Belmonte Riso, Museum of Contemporary Art, Palermo, among the others.
Francesco Simeti was born in Palermo, Italy (1968), and he lives and works in New York, United States.
Francesco Simeti is an artist whose practice explores the intersection between beauty, power, and social critique. Best known for his immersive installations and site-specific works, Simeti often employs decorative motifs—such as wallpapers, tapestries, and ornamental patterns—as tools to question historical narratives and expose the darker realities hidden beneath aesthetic surfaces. Drawing from archival materials, mass media imagery, and natural landscapes, his work confronts themes of environmental degradation, political conflict, and collective memory. By juxtaposing the seductive and the unsettling, Through a unique blend of craft, design, and activism, his research not only reclaims traditional forms of decoration but also transforms them into powerful instruments of contemporary reflection.
Public Art is a fundamental aspect of his practice, he has worked with Percent for Art and Public Art for Public Schools in NYC, the Multnomah county in Oregon and has created permanent additions to subway stations in Brooklyn and Chicago.
He has had solo exhibitions at XNL, Piacenza (2022); Assembly Room, New York, (2019); Open Source Gallery, New York (2017); Galleria d’Arte Moderna, Palermo (2012); and Artists Space, New York (2009). His work has been included in group exhibitions at Fondazione Luigi Rovati, Milan (2022); Museo Civico di Castelbuono, Palermo (2019); ICA Singapore (2017); Palazzo Reale, Milan (2016); and Castello di Rivoli Museum of Contemporary Art, Turin (2014). He has also exhibited works at the Triennale di Milano (2014 and 2013).
His work is part of private and public collections such as The Cooper Hewitt, National Design Museum, New York; The Philadelphia Museum, Philadelphia; The Victoria and Albert Museum, London; Civiche Raccolte Musei di Milano, Milan; and Palazzo Belmonte Riso, Museum of Contemporary Art, Palermo, among the others.
Circinate, 2025Glazed porcelain
169 × 95 × 9 cm
Metis, 2024glazed stoneware
38 × 28 × 14 cm
Skamandros, 2023glazed porcelain
35×38×35 cm
base 76x45x45 cm
Remparer, 2023wood fire and glazed stoneware
150×100 cm
6 elements, 50x50 cm each
Ph. Sebastiano Pellion
Remparer, 2023wood fire and glazed stoneware
150×100 cm
6 elements, 50x50 cm each
Ph. Sebastiano Pellion
Terrestre VII, 2021collage, newspaper clippings
107×72×5 cm
Terrestre VIII, 2021collage, newspaper clippings
107×72×5 cm
Shingle (black), 2021faience
75×66×6 cm
Shingle (blu), 2021faience
47×42×5 cm
Withered, 2016Raku and glazed ceramic
25×18×12 cm
24 x 20 x 13,5 cm
Rush, 2021digital print
66×89,5×5 cm
Edition unique
The wilds, 2015Ceramic
26×16×18 cm
24 x 15 x 18 cm
Cypress swamp, 2016print on linen
226×85 cm
Curling, arching, breaking, 2021Print on cotton
160 x 120 cm
112,5 x 225 cm
170 x 120 cm
150 x 100 cm
180 x 120 cm
Curling, arching, breaking, 2021Print on cotton
190×120 cm
Tumbler, 2019bronze
Tumbler, 2019bronze, 2 elements
Adnate, 2018ceramic
40×40×12 cm
Uncinata, 2018ceramic
90×48×35 cm
The wilds V, 2016woodfire ceramic
38×20×21 cm
Hillside #1, 2011Digital archival print on Hahnemuhle paper, framed
60×85 cm
Gall I, 2017ceramic
Dimensions variable
Temecula, 2010Xylography, framed
97×127 cm
Edition of 5
Black reef II, 2016ceramic
35 x 27 x 14 cm
28 x 23 x 13 cm
Gall II, 2017ceramic
Dimensions variable
Kathmandu, 2014lightbox
40×40 cm
and 40 x 61 cm
Hillside #4, 2011Digital archival print on Hahnemuhle paper, framed
60×85 cm
framed
Corpi, 2021projection of two 81 slides carousels
Variable dimensions
Edition 2/3
Kitenge, 2007, Installation viewWallpaper
Edition of 10
Billows V, 2015Glazed ceramic
55×65×18 cm
Taqwīm as‑siḥḥah, 2016wallpaper
Edition of 10
Nebŭla, 2011Print on wood
180×96 cm
Hawkweed, 2016wallpaper
Edition of 10
Billowing, 2014wallpaper
Edition of 10
Towers and Ferriswheels, 2013wallpaper
Gigli, Gladioli, Briganti ed Emigranti, 2012wallpaper
Edition of 10
Al Tramontare, 2012wallpaper
Edition of 10
Sea Holly, 2018wallpaper
Edition of 10
Città D’Oro, 2012wallpaper
Edition of 10
Scene di Disordine e Confusione, still #h1, 2011Digital archival print on Hahnemuhle paper
61×90,5 cm
not framed
Scene di Disordine e Confusione, still #h3, 2011Digital archival print on Hahnemuhle paper, framed
60×113 cm
framed
Hillside #2, 2011Digital archival print on Hahnemuhle paper
60×85,5 cm
not framed
Scene di Disordine e Confusione, 2010Video 6'
Edition of 5
Volatili, 2008wallpaper
Edition of 10
Kitenge, 2007Wallpaper
Edition of 10



























































































































































































































































