Francesco Simeti
Francesco Simeti (b. 1968, Palermo, Italy), lives and works in New York, USA.
Francesco Simeti is an artist known for his site-specific installations, which aesthetically present enchanting scenes that reveal a more complex subtext upon closer inspection.
Simeti is an artist whose practice explores the intersection between beauty, power, and social critique. Best known for his immersive installations and site-specific works, Simeti often employs decorative motifs—such as wallpapers, tapestries, and ornamental patterns—as tools to question historical narratives and expose the darker realities hidden beneath aesthetic surfaces. Drawing from archival materials, mass media imagery, and natural landscapes, his work confronts themes of environmental degradation, political conflict, and collective memory. By juxtaposing the seductive and the unsettling, Through a unique blend of craft, design, and activism, his research not only reclaims traditional forms of decoration but also transforms them into powerful instruments of contemporary reflection.
Public Art is a fundamental aspect of his practice, he has worked with Percent for Art and Public Art for Public Schools in NYC, the Multnomah county in Oregon and has created permanent additions to subway stations in Brooklyn and Chicago.
In 2025, he inaugurated a permanent site-specific intervention at MAO, Museo d’Arte Orientale, Turin, Italy. He has had solo exhibitions at venues such as XNL, Piacenza (2022), Francesca Minini, Milan (2021), Assembly Room, New York (2019), Open Source Gallery, New York (2017), Galleria d’Arte Moderna, Palermo (2012), and Artists Space, New York (2009). His work has been included in group exhibitions at The Whitworth, Manchester (2023–2024), Pera Museum, Istanbul (2023–2024), MAO, Turin (2023), PAC, Milan (2022), MACTE, Termoli (2022), Magazzino Italian Art, Cold Spring, NY (2020), Museo Civico di Castelbuono, Palermo (2019), ICA Singapore (2017), Palazzo Reale, Milan (2016), and Castello di Rivoli Museum of Contemporary Art, Turin (2014). He has also exhibited work at the Triennale di Milano (2013 and 2014).
His works are featured among the contemporary art collections of Fondazione Luigi Rovati, Milan; Museo del Novecento, Milan; Victoria & Albert Museum, London; Philadelphia Museum of Art, Philadelphia.
Francesco Simeti (b. 1968, Palermo, Italy), lives and works in New York, USA.
Francesco Simeti is an artist known for his site-specific installations, which aesthetically present enchanting scenes that reveal a more complex subtext upon closer inspection.
Simeti is an artist whose practice explores the intersection between beauty, power, and social critique. Best known for his immersive installations and site-specific works, Simeti often employs decorative motifs—such as wallpapers, tapestries, and ornamental patterns—as tools to question historical narratives and expose the darker realities hidden beneath aesthetic surfaces. Drawing from archival materials, mass media imagery, and natural landscapes, his work confronts themes of environmental degradation, political conflict, and collective memory. By juxtaposing the seductive and the unsettling, Through a unique blend of craft, design, and activism, his research not only reclaims traditional forms of decoration but also transforms them into powerful instruments of contemporary reflection.
Public Art is a fundamental aspect of his practice, he has worked with Percent for Art and Public Art for Public Schools in NYC, the Multnomah county in Oregon and has created permanent additions to subway stations in Brooklyn and Chicago.
In 2025, he inaugurated a permanent site-specific intervention at MAO, Museo d’Arte Orientale, Turin, Italy. He has had solo exhibitions at venues such as XNL, Piacenza (2022), Francesca Minini, Milan (2021), Assembly Room, New York (2019), Open Source Gallery, New York (2017), Galleria d’Arte Moderna, Palermo (2012), and Artists Space, New York (2009). His work has been included in group exhibitions at The Whitworth, Manchester (2023–2024), Pera Museum, Istanbul (2023–2024), MAO, Turin (2023), PAC, Milan (2022), MACTE, Termoli (2022), Magazzino Italian Art, Cold Spring, NY (2020), Museo Civico di Castelbuono, Palermo (2019), ICA Singapore (2017), Palazzo Reale, Milan (2016), and Castello di Rivoli Museum of Contemporary Art, Turin (2014). He has also exhibited work at the Triennale di Milano (2013 and 2014).
His works are featured among the contemporary art collections of Fondazione Luigi Rovati, Milan; Museo del Novecento, Milan; Victoria & Albert Museum, London; Philadelphia Museum of Art, Philadelphia.
Tutti giù per terra, 2026silk, polyester, cotton, glazed porcelain
120×175×13 cm
Edition of 3
Tutti giù per terra, 2026silk, polyester, cotton, glazed porcelain
120×175×13 cm
Edition of 3
Smilzo, 2026Glazed ceramic and porcelain, wood, leaf
252×15×11 cm
Smilzo, 2026Glazed ceramic and porcelain, wood, leaf
252×15×11 cm
Capellone, 2026Glazed ceramic, wood
148,5×30×30 cm
Capellone, 2026Glazed ceramic, wood
148,5×30×30 cm
Burlona, 2026Glazed ceramic, wood
161,5×30,5×20 cm
Burlona, 2026Glazed ceramic, wood
161,5×30,5×20 cm
Grovigli, 2026Plaster, glazed stoneware, watercolors, wax
32,5×24×11 cm
Grovigli, 2026Plaster, glazed stoneware, watercolors, wax
33×53×11 cm
Remparer, 2023wood fire and glazed stoneware
150×100 cm
6 elements, 50x50 cm each
Ph. Sebastiano Pellion
Remparer, 2023wood fire and glazed stoneware
150×100 cm
6 elements, 50x50 cm each
Ph. Sebastiano Pellion
Grattalora, 2026Wood, metal, brick
188×120×48 cm
Grattalora, 2026Wood, metal, brick
188×120×48 cm
Zappaterra, 2026Wood, aluminum, glazed stoneware
167,5×63×63 cm
Zappaterra, 2026Wood, aluminum, glazed stoneware
167,5×63×63 cm
Skamandros, 2023glazed porcelain
35×38×35 cm
base 76x45x45 cm
Metis , 2024glazed stoneware
73×54×16 cm
Circinate, 2025Glazed porcelain
169 × 95 × 9 cm
Terrestre VII, 2021collage, newspaper clippings
107×72×5 cm
Terrestre VIII, 2021collage, newspaper clippings
107×72×5 cm
Shingle (black), 2021faience
75×66×6 cm
Shingle (blu), 2021faience
47×42×5 cm
Withered, 2016Raku and glazed ceramic
25×18×12 cm
24 x 20 x 13,5 cm
Rush, 2021digital print
66×89,5×5 cm
Edition unique
Cypress swamp, 2016print on linen
226×85 cm
Curling, arching, breaking, 2021Print on cotton
160 x 120 cm
112,5 x 225 cm
170 x 120 cm
150 x 100 cm
180 x 120 cm
Curling, arching, breaking, 2021Print on cotton
190×120 cm
Tumbler, 2019bronze
Tumbler, 2019bronze, 2 elements
Adnate, 2018ceramic
40×40×12 cm
Uncinata, 2018ceramic
90×48×35 cm
Hillside #1, 2011Digital archival print on Hahnemuhle paper, framed
60×85 cm
Gall II, 2017ceramic
Dimensions variable
Gall I, 2017ceramic
Dimensions variable
Black reef II, 2016ceramic
35 x 27 x 14 cm
28 x 23 x 13 cm
Temecula, 2010Xylography, framed
97×127 cm
Edition of 5
Hillside #4, 2011Digital archival print on Hahnemuhle paper, framed
60×85 cm
framed
Corpi, 2021projection of two 81 slides carousels
Variable dimensions
Edition 2/3
Billows V, 2015Glazed ceramic
55×65×18 cm
Nebŭla, 2011Print on wood
180×96 cm
Taqwīm as‑siḥḥah, 2016wallpaper
Edition of 10
Hawkweed, 2016wallpaper
Edition of 10
Billowing, 2014wallpaper
Edition of 10
Towers and Ferriswheels, 2013wallpaper
Gigli, Gladioli, Briganti ed Emigranti, 2012wallpaper
Edition of 10
Al Tramontare, 2012wallpaper
Edition of 10
Sea Holly, 2018wallpaper
Edition of 10
Città D’Oro, 2012wallpaper
Edition of 10
Scene di Disordine e Confusione, still #h1, 2011Digital archival print on Hahnemuhle paper
61×90,5 cm
not framed
Scene di Disordine e Confusione, still #h3, 2011Digital archival print on Hahnemuhle paper, framed
60×113 cm
framed
Hillside #2, 2011Digital archival print on Hahnemuhle paper
60×85,5 cm
not framed
Scene di Disordine e Confusione, 2010Video 6'
Edition of 5
Volatili, 2008wallpaper
Edition of 10
Kitenge, 2007Wallpaper
Edition of 10



















































































































































































































































































