Armando Andrade Tudela
Armando Andrade Tudela was born in 1975 in Lima, Perù.
After attending the Pontifical Catholic University of Perù, he moved to Europe where he studied at the Royal College of Art in London and at the Jan Van Eyck Akademie in Maastricht. He currently lives and works in Lyon.
The artist explores the intersecting interfaces between popular culture, politics and fine art. While frequently using the South American cultural and historical context as his starting point, on a deeper level Andrade Tudela’s work focuses on complex systems of translation and transference; how are aesthetic ideas assimilated and reactivated politically, or socially, at a local level? And more broadly speaking, how are ideas themselves embedded within the fabric of geography and physical topography?
He moves freely among a wide range of media and material. In his in-depth, research-driven projects, he frequently employs quasi-documentary techniques, such as recorded interviews and on-site photographic explorations, combining them with multiple references to history, politics and popular culture. At the same time, his drawings and objects combine visual directness and technical accomplishment with conceptual complexity.
By focusing on sites of temporal and geographic slippage, Andrade Tudela parses the hidden inner rhymes and subtle discordances within cultural history, ultimately undermining and even dismantling the cultural and historic framing structures his work examines.
Recent exhibitions include: No Despide luz, Museo de Arte de Lima – MALI, Lima, Chosen Memories, MoMA, New York; Itinerarios XXVII, Centro Botín, Santander and Burlador Burlado, Proyecto AMIL, Lima. He has represented Peru at the Gwangju Biennale 2024.
His work is part of some of the most important international institutional collections such as: Centre Pompidou, Paris; Museo de Arte de Lima – MALI, Lima; Museum fur Moderne Kunst, Frankfurt; Museo Nacional Centro de Arte Reina Sofia, Madrid; MACBA, Barcelona; MoMA, New York; Tate, London; Castello di Rivoli, Turin; Guggenheim Museum, New York.
Armando Andrade Tudela was born in 1975 in Lima, Perù.
After attending the Pontifical Catholic University of Perù, he moved to Europe where he studied at the Royal College of Art in London and at the Jan Van Eyck Akademie in Maastricht. He currently lives and works in Lyon.
The artist explores the intersecting interfaces between popular culture, politics and fine art. While frequently using the South American cultural and historical context as his starting point, on a deeper level Andrade Tudela’s work focuses on complex systems of translation and transference; how are aesthetic ideas assimilated and reactivated politically, or socially, at a local level? And more broadly speaking, how are ideas themselves embedded within the fabric of geography and physical topography?
He moves freely among a wide range of media and material. In his in-depth, research-driven projects, he frequently employs quasi-documentary techniques, such as recorded interviews and on-site photographic explorations, combining them with multiple references to history, politics and popular culture. At the same time, his drawings and objects combine visual directness and technical accomplishment with conceptual complexity.
By focusing on sites of temporal and geographic slippage, Andrade Tudela parses the hidden inner rhymes and subtle discordances within cultural history, ultimately undermining and even dismantling the cultural and historic framing structures his work examines.
Recent exhibitions include: No Despide luz, Museo de Arte de Lima – MALI, Lima, Chosen Memories, MoMA, New York; Itinerarios XXVII, Centro Botín, Santander and Burlador Burlado, Proyecto AMIL, Lima. He has represented Peru at the Gwangju Biennale 2024.
His work is part of some of the most important international institutional collections such as: Centre Pompidou, Paris; Museo de Arte de Lima – MALI, Lima; Museum fur Moderne Kunst, Frankfurt; Museo Nacional Centro de Arte Reina Sofia, Madrid; MACBA, Barcelona; MoMA, New York; Tate, London; Castello di Rivoli, Turin; Guggenheim Museum, New York.
S/T (Ral 1007), 2023Plaster, steel cable, metal, cloth
128×16×32 cm
Strange arrangement of a skilled worker #2, 2021, view 1steel, fabric and velcro
90×13×13 cm
Strange arrangement of a skilled worker #2, 2021, view 2steel, fabric and velcro
90×13×13 cm
Thin nut’s skin #2, 2021Stainless steel
98×25×25 cm
Edition of 3
Thin nut’s skin #1, 2021Stainless steel
44×65×18 cm
Edition of 3
Thin nut’s skin #3, 2021Stainless steel
58×20×24 cm
Edition of 3
Ahora si #2, 2020, view 1Brass foil, shofar, metal wire rope
62×100×40 cm approx.
Ahora si #2, 2020, view 2Brass foil, shofar, metal wire rope
62×100×40 cm approx.
Sin Titulo, 2018Plaster head
42×20 cm
plaster head, 116x33x33 cm plinth
Ahora no, 2018ceramic, pigments, panel
135×200×90 cm
Ahora no, 2018, detailceramic, pigments, panel
135×200×90 cm
Legno tagliato con la forma di uno specchio rotto #1, 2018Wood and mirror
207×189.5×2.3 cm
Legno tagliato con la forma di uno specchio rotto #1-2, 2018Wood and mirror
207×189×2.3 cm and 207×189.5×2.3 cm
Legno tagliato con la forma di uno specchio rotto #2, 2018Wood and mirror
207×189×2.3 cm
Untitled , 2021Denim fabric, bleach
245 × 150 cm
Sin titulo (Brescia #3), 2018Stainless steel and plaster
245×6×12 cm
Sin titulo, 2017Plaster head, plinth
44,5×27×25 cm
plaster head, 118x35x35 cm plinth
Untitled (Tie dye n°1), 2015Ink jet print on mirror
277 × 95 × 2,3 cm
Edition unique
Sin titulo, 2017, detailPlaster head, plinth
44,5×27×25 cm
plaster head, 118x35x35 cm plinth
Ex trapanatione macho cabrìo, 2017Charcoal on paper
65×52,4 cm
Ex trapanacìon, 2017Charcoal on paper
65×52,4 cm
Muro HHH, 2017Charcoal on paper
65×52,4 cm
Untitled (Paris #1), 2017, view 2printed mirror
100,6×59,5 cm
Untitled (Paris #3), 2017printed mirror, diptych
47×34,2 cm each
Untitled (Paris #3), 2017, detailprinted mirror, diptych
47×34,2 cm
Untitled (Paris #3), 2017, detailprinted mirror, diptych
47×34,2 cm



























































































































































































