Landon Metz
Landon Metz was born in Phoenix, Arizona, United States (1985), and he lives and works in New York, United States.
Landon Metz has garnered critical attention for his ability to imbue a spare language of abstraction with visual dynamism and sense of movement. His paintings have the capacity to expand and deal with space serially, while being site-responsive rather than site-specific. Metz’s painting practice is marked by a great sensitivity to site and scale and increasingly incorporates performance and sculptural approaches to activate the space.
Strategies of display are central to Metz’s visual language and his installations often incorporate elements of rhythm and repetition. Multi-panel paintings are frequently presented in his work as diptychs and triptychs, which he sometimes installs abutting one another, reaching into or wrapping around corners. He also produces shaped canvases that mimic the abstract shapes that appear in his other paintings. As Metz has observed,
“My work is largely about breaking down polarities, and I think that’s apparent in the way I present space. It’s about negotiating between setting and subject, public and private.”
Metz’s work has appeared in solo exhibitions in Norway, Italy, Denmark and Canada. In 2014, he was the artist in residence at the ADN Collection in Bolzano, Italy. In 2018, Metz was the subject of a solo exhibition at Museo Pietro Canonica in Rome. Metz was recently featured in the group exhibition Blue, at The Nassau County Museum of Art in New York, and Greffes, curated by Pier Paolo Pancotto at Villa Medici in Rome.
Landon Metz was born in Phoenix, Arizona, United States (1985), and he lives and works in New York, United States.
Landon Metz has garnered critical attention for his ability to imbue a spare language of abstraction with visual dynamism and sense of movement. His paintings have the capacity to expand and deal with space serially, while being site-responsive rather than site-specific. Metz’s painting practice is marked by a great sensitivity to site and scale and increasingly incorporates performance and sculptural approaches to activate the space.
Strategies of display are central to Metz’s visual language and his installations often incorporate elements of rhythm and repetition. Multi-panel paintings are frequently presented in his work as diptychs and triptychs, which he sometimes installs abutting one another, reaching into or wrapping around corners. He also produces shaped canvases that mimic the abstract shapes that appear in his other paintings. As Metz has observed,
“My work is largely about breaking down polarities, and I think that’s apparent in the way I present space. It’s about negotiating between setting and subject, public and private.”
Metz’s work has appeared in solo exhibitions in Norway, Italy, Denmark and Canada. In 2014, he was the artist in residence at the ADN Collection in Bolzano, Italy. In 2018, Metz was the subject of a solo exhibition at Museo Pietro Canonica in Rome. Metz was recently featured in the group exhibition Blue, at The Nassau County Museum of Art in New York, and Greffes, curated by Pier Paolo Pancotto at Villa Medici in Rome.
Untitled, 2025dye on canvas, diptych
100 × 160 cm
40 x 60 inches
Untitled, 2025dye on canvas, diptych
100 × 160 cm
40 x 60 inches
Untitled, 2023dye on canvas
100 × 80 cm
Untitled, 2024dye on canvas, diptych
51×40,5 cm each
Untitled, 2024dye on canvas, diptych
143,5×178 cm each
Untitled, 2024dye on canvas, diptych
141×113 cm each
Untitled, 2024dye on canvas, diptych
51 × 40,5 cm each
MMXXIII XL, 2023dye on canvas
80×100 cm
MMXXIII II, 2023dye and canvas, diptych
100×80 cm
each
Untitled, 2020dye on canvas
200×160 cm
Untitled, 2020dye on canvas
200×160 cm






























































