Ambra Castagnetti
Ambra Castagnetti was born in 1993 in Genova and she now lives and works in Milan.
She is a visual artist that works with sculpture, video, and installation.
After the bachelor’s degree in Anthropology, she graduated in Visual Arts at NABA (Milan) with a short film curated by Adrian Paci.
“Through different mediums such as sculpture, painting, installation, and video, Ambra Castagnetti explores the complex relations between the body and physical and political environment, through a political glance never lacking an implicit dimension of criticism. The evocative power of the images helps to penetrate the complex relation between poetic and political, between reality and fiction, creating a fluid imaginary. The attraction for the body always comes with a wider attraction for the living, where the animal, the mountain, water, desert, earth and sky are called to participate in a unitary narration full of intimacy” (Adrian Paci).
In her work, Castagnetti attempts to dispel and release the feelings of disquiet that arise from dealing with everyday life. Focused on natural, feminine, and animal forms, the artist redraws her feelings towards reality: the body and the mind, and the relationship between the two, become central elements. Ceramic and metal shield a soft, fragile material that would otherwise be destined to dissipate and is unrecognizable in their reflection.
Selected recent shows and projects: Palazzo Braschi, Roma (2023), Fondazione Pini, Milano (2023), New Galerie, Paris (2023), Francesca Minini, Milano (2022), La Biennale di Venezia, Venezia (2022), Manifattura Tabacchi, Firenze (2021), Eastcontemporary, Entrevaux (2021), Palazzo Monti, Brescia (2021), Mana Contemporary, New York (2020), Art Drive In, Brescia (2020), Casa Testori, Milano (2019), Villa Necchi, Milano (2019). In 2020 she joined the residency programmes in Palazzo Monti, Brescia and Manifattura Tabacchi, Florence.
Ambra Castagnetti was born in 1993 in Genova and she now lives and works in Milan.
She is a visual artist that works with sculpture, video, and installation.
After the bachelor’s degree in Anthropology, she graduated in Visual Arts at NABA (Milan) with a short film curated by Adrian Paci.
“Through different mediums such as sculpture, painting, installation, and video, Ambra Castagnetti explores the complex relations between the body and physical and political environment, through a political glance never lacking an implicit dimension of criticism. The evocative power of the images helps to penetrate the complex relation between poetic and political, between reality and fiction, creating a fluid imaginary. The attraction for the body always comes with a wider attraction for the living, where the animal, the mountain, water, desert, earth and sky are called to participate in a unitary narration full of intimacy” (Adrian Paci).
In her work, Castagnetti attempts to dispel and release the feelings of disquiet that arise from dealing with everyday life. Focused on natural, feminine, and animal forms, the artist redraws her feelings towards reality: the body and the mind, and the relationship between the two, become central elements. Ceramic and metal shield a soft, fragile material that would otherwise be destined to dissipate and is unrecognizable in their reflection.
Selected recent shows and projects: Palazzo Braschi, Roma (2023), Fondazione Pini, Milano (2023), New Galerie, Paris (2023), Francesca Minini, Milano (2022), La Biennale di Venezia, Venezia (2022), Manifattura Tabacchi, Firenze (2021), Eastcontemporary, Entrevaux (2021), Palazzo Monti, Brescia (2021), Mana Contemporary, New York (2020), Art Drive In, Brescia (2020), Casa Testori, Milano (2019), Villa Necchi, Milano (2019). In 2020 she joined the residency programmes in Palazzo Monti, Brescia and Manifattura Tabacchi, Florence.
- Hypnagoth, 2023Wax, paraffin, moss, wooden shelf, cable tiles and metal support
35,5×26,5×30,5 cm - Scorpia, 2023Aluminium, plastic, resin, studs
75×90×75 cm - Scorpia, 2023, detailAluminium, plastic, resin, studs
75×90×75 cm - Salina, 2023Wax, paraffin, salt, bronze, tin, shells, mushroom
97×43×25 cm - Salina, 2023, detailWax, paraffin, salt, bronze, tin, shells, mushroom
97×43×25 cm - Salina, 2023, detailWax, paraffin, salt, bronze, tin, shells, mushroom
97×43×25 cm - Boschiva, 2023Aluminium, moss, stem, plastic, resin, electric cables and glass cristals
187×45×30 cm - Boschiva, 2023Aluminium, moss, stem, plastic, resin, electric cables and glass cristals
187×45×30 cm - Boschiva, 2023, detailAluminium, moss, stem, plastic, resin, electric cables and glass cristals
187×45×30 cm - Brutal Viktoria, 2023paraffin, wax, plaster, stem and wooden plint
104,5×40×29 cm - Hungover, 2023Aluminium
125×25×35 cm - Ponycore series, 2023Aluminum, moss, wooden shelf and metal support
13×29×33 cm - Ponycore series, 2023Aluminum, moss, wooden shelf and metal support
13×41×34,5 cm - Ponycore series, 2023Aluminum, moss, wooden shelf and metal support
13×24,5×33 cm - Ponycore series, 2023Aluminum, moss, wooden shelf and metal support
13×26×33 cm - Wall City, 2023Moss, plexiglass, mirrors, motherboards, ledlights
47×160×217 cm - Aeterna, 2023C-print
40×30 cm
Edition 2/5 - Tank Gyrl, 2023Aluminium, plastic flowers and leaves, plastic and wheels
73×47×20 cm - You can cry on my breast, 2022, view 1bronze and mosquito lamp
140×33×28 cm - You can cry on my breast, 2022, view 2bronze and mosquito lamp
140×33×28 cm - You can cry on my breast, 2022, detail 1bronze and mosquito lamp
140×33×28 cm - You can cry on my breast, 2022, detail 2bronze and mosquito lamp
140×33×28 cm - Serpentine I, 2021Ceramic, leash, rope, chain, 120 x 50 x 30 cm
Exhibition view at Rolando Anselmi Galerie, Rome - Angry Rabbit, 2022, view 1Ceramic and metal, 130 x 40 x 40 cm
Exhibition view at La Biennale di Venezia, Venice
Curated by Cecilia Alemani - Kitsune, 2022, view 1Bronze, ceramic, 130 x 25 x 25 cm Exhibition view at La Biennale di Venezia, Venice
Curated by Cecilia Alemani - Cat’s Nipple, 2022Bronze, ceramic, electrical cable, 300 x 40 x 20 cm
Exhibition view at La Biennale di Venezia, Venice
Curated by Cecilia Alemani - Cat’s Nipple, 2022, detailBronze, ceramic, electrical cable, 300 x 40 x 20 cm
Exhibition view at La Biennale di Venezia, Venice
Curated by Cecilia Alemani - Furiosa, 2022, view 1bronze, resin, wax
96×43×25 cm
Pedestal 80x70x50 cm - Furiosa, 2022, view 3bronze, resin, wax
96×43×25 cm
Pedestal 80x70x50 cm - Furiosa, 2022, detailbronze, resin, wax
96×43×25 cm
Pedestal 80x70x50 cm